Leaves moving in the wind, a distant glare onto a smoking factory chimney, make-shift housing of a protest camp, the grotesque monster of a huge mining machine devouring the soil and the inhospitable moon-scape it leaves behind; an abandoned village. With a calm view, Lucas Dülligen focuses on the open pit mining around Lützerath and creates with a quiet montage an archaeological miniature of the relationship between society and nature: Landscape and utilization, exploitation and resistance, human and inhuman time calculation.