The search for the self and the struggle for visibility unfolds in a kaleidoscopic play of identities. The painful realization that the past extends into the present flashes in the glow of the projectors. In the examination of queer expression, reference is made to the objectification of women, while creative reflections unfold their power. Voices are raised in the desire to deconstruct patriarchal narratives. The space of identity development becomes an act of resistance that enables a redefinition of gender and self-determination. (Frauke Rohenkohl)
“What role does queerness play for the women’s group? Are there really ‘women’s films,’ and what exactly does FLINTA mean?”: These are the bold questions asked by Chlo and the activist Jutta in an episode of the five-part interview series "Gelbe Karten & Lila Latzhosen" (Yellow Cards & Purple Overalls).
Their journey into the history of the Autonomous Women’s Group Borken reveals the significance of terms and how they have evolved over time.
In a gripping dialogue, they explore how gender and sexual orientation are intertwined in today’s society. They shed light on the challenges that women and non-binary people face when navigating their identities while also considering the opportunities arising from social change. A powerful plea for self-determination and breaking traditional gender roles.
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A filmmaker dreams of creating a 16mm film about masturbation—guided by her grandmother’s tried-and-true recipe. But as she works on the project, an uncomfortable feeling creeps in: her subconscious is permeated by outdated gender roles and the rigid male gaze that has dominated art for far too long. Determined to question this influence, she seeks dialogue with her friends, discussing the pressure exerted by art history and family expectations on her work. Burning questions arise: How much does the past shape our actions? What do her family members think of her bold vision, and how can she bring her dream to the screen authentically without falling into the traps of objectifying female characters?
As she progresses with her film production, she becomes increasingly aware of how deeply rooted societal stereotypes of women as providers of pleasure are.
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Nominated:
Goldener Hercules
- Director: Joey Arand, Alma Weber
For the past 25 years, the German cosplay community has provided a creative space for geeks and nerds. In particular, FLINTA individuals from Generation Y regularly engage in this often time-consuming hobby: they recreate characters from pop culture in costume—often male characters, whose expressions, gestures, and visual appearance they imitate. But where does the strong interest come from for women or non-binary people to step into male roles? And why is this branch of fan culture no longer just appealing to teenagers?
The reasons for the engagement of women and non-binary individuals in male roles are revealed through the cosplayers’ deep interaction with media and characters as they reflect on their own identity, gender, and sexuality. The community presents itself as a safe space that offers support and acceptance beyond family and work contexts, creating a sense of belonging.
Nominated for the 2024 Hessian Film and Cinema Award in the category of university graduation films.
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Premiere:
World Premiere
Nominated:
Goldener Hercules
- Director: Julia Gens, Franziska Rozicki
